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Friday, June 29, 2012

Review of Dark Genesis


 Book Review of Dark Genesis sponsored by Enchanted Book Tours

Title: Dark Genesis
Author: A. D. Koboah
Genre: Paranormal Romance
Format: eBook

Book Blurb

Life for a female slave is one of hardship and unspeakable sorrow, something Luna knows only too well. But not even she could have foreseen the terror that would befall her one sultry Mississippi evening in the summer of 1807.
On her way back from a visit to see the African woman, a witch who has the herbs Luna needs to rid her of her abusive master’s child, she attracts the attention of a deadly being that lusts for blood. Forcibly removed from everything she knows by this tormented otherworldly creature, she is sure she will be dead by sunrise.
Dark Genesis is a love story set against the savage world of slavery in which a young woman who has been dehumanized by its horrors finds the courage to love, and in doing so, reclaims her humanity. 

Author Bio

A.D. Koboah was born in London and completed an English Literature degree in 2000. Her first novel, Dark Genesis, was inspired by the concept of dehumanisation and the impact it can have on the psyche. She is currently working on a screenplay and will begin the sequel to Dark Genesis shortly. 

Links

Website: http://www.adkoboah.co.uk/
Amazon: http://www.amazon.com/Dark-Genesis-Darkling-Trilogy-ebook/dp/B007NI8GUS/ref=sr_1_1?ie=UTF8&qid=1337086773&sr=8-1
Amazon.co.uk: http://www.amazon.co.uk/Dark-Genesis-Darkling-Trilogy-ebook/dp/B007NI8GUS/ref=sr_1_7?s=books&ie=UTF8&qid=1332433043&sr=1-7
Smashwords: http://www.smashwords.com/books/view/141566
Goodreads: http://www.goodreads.com/author/show/5807160.A_D_Koboah
 
Book Excerpt
My name is Luna and my tale begins on a dry summer evening in 1807. 

I was walking quickly along a dusty country road, my shoes stirring up a small cloud of dust that turned the hem of my faded violet dress a muddy brown. The trail of dust I left in my wake soon settled. But the pressing need that had me make this two-hour journey in beaten shoes and a broken spirit, in the midst of a particularly merciless Mississippi summer, would not be settled as easily. Wiping the sweat from my brow and waving away the flying insects that droned lazily near my face, I wished for some respite from the relentless heat but found none. Although the sun hung low in the topaz blue sky, it felt as if I were walking through warm soup and it was likely to stay like this long after the sun went down.

I would have found some relief from the pitiless sun if I had chosen to walk through the woods that rose up on either side of the road like a green and brown wall. But green woody spaces such as those have been a deep source of fear for me since I was a child and I imagined that they would continue to be so long past what I guessed was my twenty-second or twenty-third year on this earth. So I clutched my lantern and small cloth bundle and walked on in the heat, listening to the birdcalls punctuate the otherwise still air.

I was lucky to be able to make this journey during the summer months as the previous two trips had been made in the dead of winter when night gathered up the day long before I could finish serving the family’s supper and slip away, leaving the other house slaves to do my share of work and conceal my absence. That small mercy meant that I didn’t have to walk alone in the dark, afraid to light my lamp in case the solitary glow brought unwanted attention my way, or have to dive into the trees every time the sound of a horse’s hooves disturbed the sweet melody of the crickets. It also meant that when I turned the corner and saw the woodland give way to cotton fields, marking the beginning of the Marshall plantation, there was still roughly two hours of daylight left, which meant I would be able to finish my business and be back before dark, hopefully before I was missed by my hawk-eyed mistress. 

I stopped for a second to gaze at the rows of cotton up ahead. I have always thought that there was something heavenly about cotton fields, which looked like row upon row of fleecy white clouds caught up in brown nets. But I’m sure that the brown-skinned figures bent double between those rows would have disagreed. For them, there was nothing even remotely celestial about the cotton fields in which they had been toiling since sunrise. And they were likely to still be working in them when the sun set. Even from this distance I could see that most of them were wretchedly thin, their few flimsy items of clothing in tatters. And although I wasn’t close enough to see their faces, I was sure that they all wore uniform expressions of misery and fatigue.

I left that unhappy sight and ducked into the trees on my left, a necessary shortcut to the slave quarters. Although many slaves have used this shortcut on their way to see the African woman, I’m sure I’m the only one who ran all the way through the trees looking back over my shoulder even though I knew I wasn’t being followed. Only when I saw a flash of white through the trees did I slow down so my breathing could return to normal by the time I exited the screen of trees.

The slave quarters were little white cabins made of wood, which lay in two long rows some distance from the Master’s mansion. Only a few children were around at this hour, some of whom recognised me and stopped what they were doing to stare with a quiet reverence that made me uncomfortable. It was the same reverence I had received from the grownups the last two times I had come here under the cover of darkness and they had not only stopped what they were doing to watch me pass by, but nodded or offered some sort of greeting, which I returned before hurrying on by. I didn’t have to endure that kind of scrutiny today, but I still hurried down to the lone cabin at the back of the clearing, which was nestled under the shadow of the trees some distance away from the rest of the slave quarters. 

Many slaves came to visit Mama Akosua for her medicines, and her skills were known far and wide. It was also rumoured that she dealt in more than just herbs and was actually a witch. Whether that was true or not, she was feared by many, even some of the whites, and few dared incur her wrath. 

As I got nearer to the cabin, I saw that the door had been left open and a light was burning inside even though the sun had yet to go down. I approached gingerly. Already feeling the unease that always possessed me in the presence of the African woman, I walked up to the door, and stopped.

“Mama Akosua.” 

There was a short spell of silence and then her voice floated out to me. 

“I have been expecting you.” The voice was low and dry like the sound of rustling leaves.
She probably said that every time someone came to her door, no doubt to help foster the belief that she was a powerful all-seeing, all-knowing witch. But the words still sent icy fingers trailing down my spine and I swallowed before taking her words as permission to enter.

The cabin, which consisted of only one room, was rich with the slightly bitter, but not unpleasant, smell of dried herbs. Most of the room was taken up by a long wooden table, which held bottles, bowls and an assortment of other instruments that were used to prepare her concoctions. Every wall in the room was lined with shelves holding bottles, jars and baskets of fresh and dried herbs. The only evidence that someone lived in the cabin was the pallet in the corner. This was the most furniture I had seen in any slave cabin, but as her Master profited from the sale of her herbs, it was in his interest to make sure she had everything she needed. There was another smaller table in the centre of the room and that is where she sat, peering at me by the light of an oil lamp. 

She was a small lithe woman with delicate features like mine. Her head was cleanly shaven and she would have been considered beautiful were it not for the scars, rows of lines about an inch long, marking her forehead and cheeks. It was rumoured that those scars had been self-inflicted when she was first brought to America as a slave. Some people whispered that she had done it to honour the customs of her people, others, that the journey, the horrors of the middle passage, had driven her to scar her face in madness and despair. Although I would never dare to ask her, I didn’t believe she had been driven insane. The shrewd dark eyes that met mine belonged to a strong, sharp mind and I doubted that anything could, or ever would, be able to break it.

“Evening, Mama Akosua,” I said as I walked into the circle of light. 

There was still daylight outside but it didn’t seem to reach the small window in Mama Akosua’s cabin and so it was always dark in here no matter what the time of day.

She gestured to the chair opposite hers, her eyes never leaving my face. I moved to the chair and when I sat down, she pushed a small cup toward me.

“Drink,” she said. 

I picked up the cup and sipped the cool concoction, which tasted vaguely of mint leaves. Whatever it was, it seemed to have an immediate effect because I no longer felt as hot and the fatigue, which had been pulling on me like lead weights, seemed to evaporate.

Feeling slightly better, I was able to meet the force of her gaze fully. She seemed to have aged a great deal since I last saw her, nearly four years ago. The lines around her eyes and the ones running from her nose to the corners of her mouth had deepened and although she was not yet forty years old, she looked much older.

She studied me for a few moments and a soft sigh escaped her when she finally shifted her gaze away from my face. 

“It is as I feared,” she said and stood up, wincing from the small movement.

“You hurt?” 

“It is a small price to pay,” she mumbled, more to herself it seemed.

She reached into a basket on one of the shelves and pulled out a small black cloth bundle. Moving back to the table she placed the bundle before her and when she sat down again she closed her eyes for a few seconds. She was clearly in a lot of pain.

“I have prepared what you need,” she said pulling open the cloth bundle to reveal six paper sachets of herbs. 

There was no need for her to ask me why I was here. I would only risk making this dangerous journey for one reason. 

“Take this tonight.” She pointed to the larger of the bundles. “The rest is to be taken for five nights after, to stop the bleeding.”

She tied up the bundle and pushed it across the table toward me.

“Thank you, Mama Akosua.” 

 “Is it the son this time?” 

I looked up and met her intimidating gaze, but on this occasion, I couldn’t hold it. She knew how much these things shamed me yet it didn’t stop her from asking about them. When I answered, my voice was barely a whisper.

“Yes.”

“How long?”

“He... he be at my cabin near about three times a week now since Easter.”

“He is worse than his father, no?” It wasn’t a question; it was a statement.

“Yes.”

I fought back tears as an image came to me from a few weeks before. I was standing in my tiny cabin and Master John was behind me gazing at our reflections in a small handheld mirror. I don’t know if making me look at myself was one of the many ways he had of tormenting me or if he really was oblivious to the fact that I despised my face. Either way, he would make me stare at my piercing dark brown eyes framed by long sooty eyelashes, deep mahogany skin, small delicate features and large sensuous lips. My springy, unruly hair was pulled away from my face, something he insisted on, as my hair was the one thing a man like him could find no beauty in. It was always the same ordeal with the mirror whenever he came to my cabin. And I honestly don’t know which face I hated more, that of the blond-haired, blue-eyed man I had come to despise even more than his old, decrepit father, or my own. The face he was enamoured with. He eventually pulled the mirror out of my hand, and placing it on the bed, held his arms out. 

“Dance with me,” he had said in a soft, silky voice. 

I remained where I was, my face a blank mask but rage no doubt burning behind my eyes. I may not have had a say over his nocturnal visits, but I would not play these little games or pretend that I wanted him in my wretched little cabin. 

Fast, so fast that I didn’t have time to protect myself, he raised his hand and slapped me, sending me crashing to the floor. Pain bloomed along my temple and the left side of my face. I had also bitten my lip when I hit my head. His foot came down on my neck and I felt the dirt on the sole of his boot rubbing into my skin as he pressed down, cutting off my air supply. I struggled in vain to breathe and was close to losing consciousness when he slowly removed his foot and hauled me back onto my feet as if he were picking up a sack of potatoes. Then he held out his arms again, that smile, which never seemed to leave his face, swimming before my eyes as I struggled to clear my vision. 

I was bristling with anger and yet fear won out because he could do anything he wanted to me and there was nothing I would be able to do to stop him. No one I could go to for protection. I had been born and bred purely for men like him, not only to do with as they pleased, but to increase their riches by breeding more slaves for them to own.

“Dance with me,” he said again. 

Tasting blood in my mouth, I did as I was ordered to do.

“Massa Henry used to please hisself and leave,” I told Mama Akosua. “But Massa John... he like to play.” 

I sensed rather than saw her rage. 

I had led a relatively painless existence, for a slave, up until around the age of eight or nine when Master Henry had sent me on an errand to one of the neighbouring farms, an errand which would take me through the woods. I had run eagerly out of the house, hardly believing the good fortune that meant I could spend most of the morning walking through the woods instead of working. And it was the perfect day for a long walk, a beautiful spring day. The air was crisp and cool and the sun filtering through the fresh green leaves created patches of golden haze for me to walk through. I skipped along carefree and untouched at that time by the burdens of a female slave, deviating from my path only once to chase a squirrel, losing it moments later when it darted up a tree and out of sight. 

It wasn’t long before I came to a stream winding its way through the trees directly in my path and saw Master Henry on his horse. I froze straight away but wasn’t immediately frightened as it seemed his face lit up with the kind of excitement you would expect to see on the face of a man on a long quest for buried treasure at the moment he finally finds it.

“Massa Henry!” I cried, dropping the parcel he had given me to deliver. I stooped to pick it up and when I straightened, he had already dismounted and was walking quickly toward me. 

Master Henry, who was in his fifties, was tall and thin, had brown hair that was peppered with grey, a beak of a nose and thin, pink lips. I felt immediately uneasy about being on my own with him so far from the house, especially since it seemed as if he had gone to the trouble of saddling up his horse and riding out of the plantation with the sole intention of overtaking me. 

But I tried to allay my fears by telling myself that he had never actually given me reason to fear him. The only unnerving thing about him was that he had a habit of turning up wherever I was working and would watch me intently for far too long as if he were looking to find fault with my work. He had never actually reprimanded me for anything, but something about his manner, his long wrinkled neck, bony elbows and knees, reminded me of a vulture waiting patiently. Mary, the cook, seemed uneasy about his apparent interest in my work. Perhaps she was worried that if he found fault with anything I did it would be blamed on her. So whenever Master Henry was at home she was always beside me, helping me with my chores even though I was more than capable of doing them on my own, a light sheen of anger marking her every action, the quick furtive glances she cast in Master Henry’s direction always fearful. Sometimes she would find an excuse to call me away if Master Henry made his way into whatever room I was in. I noticed that the other house slaves did the same. 

I was too young at that time to know why his greedy eyes had become my shadow or why he showed such an overt interest in everything I did. I was also too young to understand the acid rage I saw in his young wife Mistress Emily’s eyes whenever she saw him watching me, or why she had tried on more than one occasion to send me to work in the fields. And the other slaves obviously thought it was kinder not to explain it to me.

So when I saw him waiting for me that day, I knew I was in a lot of trouble but I didn’t know what I had done. 

When he got to me I saw a feverish light in his eyes as they moved over my tiny body. It was as if he couldn’t see or hear anything but me. Then his hand shot out abruptly and he pushed me to the ground. When he began to wrestle with his belt I tried to crawl away, knowing now that something awful was about to happen. But he was already on top of me, ripping my dress off whilst he moaned and reached for my chest to paw at what had not yet begun to form there. The pain had been horrific and my screams seemed to heighten his pleasure as he rode me as if I were the stallion he had obviously ridden furiously in order to catch me here alone in the woods. I lost consciousness at some point, and when I came to it was to the sight of him pulling up his trousers. He had mounted his horse and then turned to look at me with what I now know to be lust and it was clear that he was considering getting off his horse to repeat what he had done. Thankfully he gently urged his horse on through the trees to make his way back to the road.

Once he was gone I rolled onto my side and sobbed. I didn’t fully understand what had happened, but I knew it was something to be ashamed of and that I couldn’t go back to the house and face Mary. There was a faintly metallic smell mingling with that of the cold dry earth and I realised that it was the smell of my own blood, which was seeping through my legs. I tried to cover myself but my dress was torn in two so I wrapped my arms around what was left of the garment and lay there crying. 

After a while, when the sun had reached the highest point in the sky, the sound of a twig snapping under the weight of a person’s foot told me I was no longer alone. 

I sat up with a start to see one of the slaves, Jupiter, standing about three metres away from me. He was a tall, handsome African of around eighteen years old and had coal black skin and big beautiful brown eyes.

Book Review:

            Luna is a slave who is repeatedly sexually abused by her Master and then his son when he becomes the Master.  Her mother is sold away from her when she is a very young child and she has no-one else.  She finds her only solace in a ruined chapel on the grounds of the plantation, but even that is no longer safe.

            This story is truly intense.  It is told from the view of a young woman who finds a journal telling the life’s story of an ancestor of hers, Luna.  Through her we feel terror, horror, humor, romance, sex, safety, loss, joy, and sorrow.  Each page brings new enticing information to keep pulling you into the story. 

Well written, this story is not for the faint of heart or for children.  This story has scenes of rape, murder, demons, beating, the worst of slavery, and the best in humanity.  It will make you angry, happy, sad, and get your adrenalin pulsing.  I would not read it in the dark……. Unless you are very brave.

I give this story 4 out of 5 clouds, and a strong parental (adult only) warning due to the violence.

This product or book may have been distributed for review; this in no way affects my opinions or reviews.

Review of Tales of Lust, Hate and Despair


Book Review of Tales of Lust, Hate and Despair

Tales of Lust, Hate and Despair
By Ian Truman

Blurb:

Samuel Lee has known three days of freedom in the last eighteen years. Three days to come out of prison, see his daughter, settle a score and go back in again, for good this time.
Told in the tradition of the best literary noir, Tales of Lust, Hate, and Despair is a modern, lowdown and gritty take on the genre. Inspired by the cinema of Akira Kurosawa and Samuel Fuller as well as the music of Tom Waits, Sage Francis, Neurosis and Marilyn Manson, it is a novel that is sure to please anyone who has ever found themselves trapped and cast aside from the world.

- Tales of Lust, Hate and Despair will be free for five days during the launch week through Kindle.
- Ian Truman will be at the Ottawa Small Press Book Fair on June 30th.
- Blog Blitz on June 29th.
- Blog tour starting on June 29th.



Goodreads 
http://www.goodreads.com/book/show/15726756-tales-of-lust-hate-and-despair

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About Ian Truman (Bio)

I am from a working class family and I am proud of my origins. For the last seven years, I have been employed as an assembly line worker, a forklift driver, a park ranger, a warehouse clerk, a janitor, an industrial laundry operator, a warehouse clerk some more and still am to this day. I have never stopped working full time and I saw firsthand how the theories of political science could hardly apply to the realities of the working masses. I have worked in the downtown area, in Laval, Rosemont, Montreal-East (Between the Petro-Canada oil storage facility and the Falconbridge foundry) and the south-west prior to gentrification. I have seen Montreal change and the people suffer from these changes.

I write not because I believe that some great social revolution is going to come out of any novel I can write. I have no illusions about the revolutionary potential of fiction writing. I truly believe that it is only by changing economic structures that a society can change fundamentally. This is basic Marxism. So why write at all? It is a good question. I mostly write to purge the hatred inside me, to purge the hours of factory work, poverty and strife of all sorts. I am majoring in Creative Writing, in a language that is not my native tongue because I felt it was a challenge. I am also graduating with a minor in political science, through which I discovered many philosophers that have influenced me deeply. I have studied the essays of Karl Marx, Immanuel Wallerstein, Ernesto Guevara, Max Stirner, Mikhail Bakunin, but also capitalist philosophers such as Thomas Hobbes or John Locke. I’ve looked into dichotomies such as Anarchism vs. Fascism, Communism vs. Capitalism. Nationalist vs. Internationalist etc… I believe that my existence is guided by philosophies such as Buddhism, Hinduism but also Nihilism.

As Nietzsche explained, human beings are guided both by rationality and irrationality. We are capable of reason and structure but at the same time we need flesh and passion, if not sin. I write political essays when I need to exercise my rational side. I write it in order to better my knowledge of social structures. I write it to better society. Rarely have I included philosophers or philosophy in my fictional works. I believe they are underlining all the stories I write. But I don’t write Fiction in order to prove a point. I write fiction to fill my need for creativity and passion. Mostly, I write because I need to. It fills my passionate, irrational side. When I write, I look for truth, however ugly or beautiful it may be. I look for sincere elements, uncensored and raw; I look for the visceral. My works combine beauty and despair, struggles and hopes. I truly enjoy dichotomies that bring people out of their comfort zones. I avoid moralist statements and allow the reader to bring their own conclusion about the work, about the characters, and (hopefully) about their lives.

Aesthetically, my style combines vernacular language to noir elements. I also enjoy dirty realism and modernist novels. I try to avoid anything too conceptual or things such as “Streams of consciousness. I allow myself to be influences by all sorts of creative endeavors. In the visual arts, I’ve enjoyed graffiti art for quite some time. I see political posturing as a creative act (Aka propaganda). I enjoy visual artists such as Matthew Barney and Shepard Fairey. In film, my most notable influences are Akira Kurosawa’s “Drunken Angel”, Imamura’s “The Pornographers”, Fukasaku’s “Yakusa Papers” or American (and Canadian) filmmakers such as Cronnenberg, Lynch or Smith. I also write under musical influences ranging from Grunge (Nirvana, Violent Femmes), to punk (Social Distortion, Bouncing Souls), hardcore (Warzone, Blacklisted, Blood for Blood), hip-hop (Dead Prez, Wu-Tang-Clan), folk (Chuck Ragan, Tim Barry), blues (Billie Holiday, Chester Burnett) and country (Johnny Cash, David Allan Coe). As far as authors go, I believe I am influenced by a large variety of authors. William Faulkner is the first one that comes to mind. But also Ernest Hemingway, Charles Bukowski, Ray Bradbury, George Orwell, Truman Capote, Henry Rollins, the RZA, Samuel Beckett, David Fennario, William S. Burroughs etc…

All of these cultural and philosophical references are found in some way or another in my creative endeavors. In the end, I may be the one typing the words on the page, but they are all in the back of my mind, spilling out their guts to the world through my words.

Excerpt:

Prologue
Donnaconna Institution
Maximum Security
145 miles north-east of Montreal
267 inmates
27% serving life sentences

2012

Hey kid.
I know you requested to be here in person but your mother had enough sense not to allow it. You’re not eighteen yet, so her decision is final and I think she made the right call. Donnacona Federal prison ain’t no place for a girl like you.

Now, I know I’m not much of a father, probably because I never had the chance to be one but I am sorry I never got to be there for you. Your grandfather came to visit a few weeks ago. I’m glad to see that there’s at least one person from my side of the family who’s looking out for you. He told me you applied to circus school in Montreal. I never thought you could go to school for that, but he says your heart is set on it. So my heart is now set on it too. I just hope I get to see one of your shows one day. If you’ll have me, of course.

I guess what I want to say is, I ain’t got much, but I do have a little money set aside. Only seven thousand or so, but it’s something. It’s all legit money, so don’t worry about how I raised it. I don’t do drugs and I’ve quit drinking years ago. They don’t pay much here in prison, but I’m working the laundry service for 5.50 a day. I’ve been behaving well, and I got lucky enough to get on a Corcan program twice. It pays a little more and it gives me credits and experience to work when I get out. Now, the money is yours whether you want it or not. I don’t have much use for it in here.

Your mother said you wanted to know what happened that day, said you were pretty insistent about it. I don’t know if it is out of anger, which I wouldn’t hold against you, or if it is out of compassion, but if you think you are old enough to hear these things, I’m ready to tell you.

Book Review:

            Samuel Lee writes a letter to his daughter from prison to tell her why he is in prison and why he killed a man.  The writing is gritty, raw, emotional, and stark.  It reminds me somewhat of a courser “Cannery Row” with its unbridled and stripped view of the underbelly of the large city in Canada, but it could really be any city that has a definitive poor or slum area.  This differentiation between the classes is still prominent in large cities, despite our desire to eradicate this blight.

            While it was at times difficult to follow the dialogue due to the dialect the story uses, the writing is emotionally powerful and exposes the soul of a man condemned to life in prison.  It was difficult to read at times due to the nature of the topic, but powerful in the way that Steinbech’s novel explored the underbelly of society in his reaction to war.

            I give this novel 4 out of 5 clouds for the writing and emotional tone, although I would not lightly recommend this novel to anyone because of the nature of the topic and the language used.

This product or book may have been distributed for review; this in no way affects my opinions or reviews.

Book Review of Saint Sanguinus



Book Review of Saint Sanguinus sponsored by Bewitching Book Tours


Saint Sanguinus
by Julia Phillips Smith

Book blurb: 

An elite brotherhood stands between humans and vampires, preventing one side from annihilating the other. Who are called to this service? 

Only those warriors who curse God with their dying breath. Welsh warrior Peredur falls to a spear before he can claim Tanwen for his bride. Raging on the battlefield, Peredur utters the curse that seals his fate and leads him to another life. Using the power of a saint whose bone makes up an amulet, Peredur takes on the trials to become a true member of the brethren. Yet his need for the chieftain’s daughter Tanwen still burns. 

Tanwen resists her father’s command to take a husband. The only one who understands her sorrow is Cavan, the wise woman’s son. When he promises that he can reunite her with her beloved, she agrees to his terms. 

But does Tanwen truly understand the depth of the price that must be paid?



Excerpt:
Peredur hung forward, his arms stretched awkwardly behind him, bound behind a large tree. Now fully awake, he tried to stand upright and surge forward, but the bonds held.

          His brethren gathered all around the tree. Melnak who stood farthest away in the shadows, pulled his amulet from where it hid in his robes then lifted it over his head. As he approached, Melnak said, “God our Father, our brother now descends into the trial you have given him.”

          The brethren intoned, “Our Father, hear us,” just as Peredur’s body began to jerk away from the amulet as though compelled to do so. Melnak brought the shining polished bone to rest against the bottom rib of Peredur’s left side.

          For a moment Peredur couldn’t see. All before him was blinding white light.    
          When he came to, Peredur sensed he was somewhere else entirely, no longer bound to the tree.

          In the distance, a figure waited for him, a miserable bent man barely clothed in rags. Peredur tried to join him, but at the hint of motion his legs shot through with fiery tendrils. The figure turned his face to see who approached.

          Such a man. His face held the expression of one who had endured a torturous vigil, rather like the one from which Peredur could not free himself. But the face also held a beauty that hurt to see. Peredur wanted to turn his face away, but the gaze of those tormented eyes held him and despite the pain, he forced a step or two forward.

          _I’m coming, Peredur tried to tell him, but the bent figure lowered his head as if overcome by agony after all. Peredur grit his teeth and pushed forward with all his might.

          His feet finally moved, but suddenly it seemed the saint was miles from where Peredur could reach him. Peredur’s heart sank.

          He remembered in his boyhood, how heavy the sword had been at first, when the sword master made him swing it again and again. His legs just now were the same. They rebelled against his commands.

          _Move! he shouted at them. _Move!

          Anger at the injustice of it coursed through him. As the anger rose, the binding stiffness released his legs and his steps grew easier.

          Peredur wanted to race to the saint’s side, but what use would there be in that? Now that he could move, he walked with dread toward the fallen bundle of rags and limbs. Kneeling there, he took the saint in his arms and brushed the matted hair from the bruised face.

          Saint Cittinus’ eyes fluttered open.

          Peredur looked down at the youthful saint in his arms, made old before his time by the captivity and mistreatment he’d endured. As if for the first time, Peredur saw the clear white line of a scar across the saint’s neck, as if a rope had choked him there.

          Saint Cittinus looked into Peredur’s eyes. Those cracked lips moved. Instead of ‘I thirst,’ the saint spoke clearly, if softly. “We have no one else to fear,” he said, “but our Lord God. Who is in Heaven.”

          Peredur nodded. He stayed as he was and watched the saint expire before his eyes. All the while his angel never took his hand from Peredur’s shoulder.

          Saint Cittinus faded from Peredur’s grip, though he still felt the weight of him in his arms.  No sooner than he’d seen it, but Peredur came to.

          He found himself still straining in his bonds against the tree. With breathtaking intensity, the pain in his rib returned. Melnak held the amulet to him still, with unyielding grimness.

          He thought of the scar upon the saint’s neck. Instead of struggling and cursing as Peredur had done on the battlefield against the spear, Cittinus had accepted the wound that had given him the scar.

          It was time to stop fighting.

Author bio: 

A graduate of Ryerson University’s film program, Julia Phillips Smith’s previous writing credits include scripts for radio and television. She has donned various creative hats, including stage manager (theatre), editor (TV documentary) and director (short films.) 

Julia lives with her husband and her mom on Canada's east coast, where the rugged sea and misty forests feed her thirst for gothic tales. 

A longtime blogger, she invites you to visit A Piece of My Mind (http://julia-mindovermatter.blogspot.com/). ~~~ 









Book Review:

            This is a very intriguing tale.  Told in a modified third person, it switches point of view between Peredur, a brethren; Tanwen, the woman he loves; and Cavan, the wise woman’s son who loves Tanwen.  Normally not a big fan of love triangles, but this one has so many twists and turns and unique characteristics that it worked for me.

            Brethern, vampires that aren’t vampires (you’ll have to read the book to understand) and vampires that are vampires dominate this book.  However the complexity of these two factions and the war between them and how humans fit into it is flawlessly portrayed.  This could easily become a hopeless tangle web with no direction, but Julia Phillips Smith skillfully weaves the threads into a beautiful tapestry of a story.

            A must read, I give this story 5 out of 5 clouds.

This product or book may have been distributed for review; this in no way affects my opinions or reviews.